Mixed media, 100x200cm
The heterogeneity of us men .. .. thinkers or artists against the perfection of God: one, inseparable.
The division into three paintings shows the three phases of human progress: the first birth (the drop that creates vibrations in the water) directly related to the death (the skull) because along with the birth marks the second time safe which marks the destiny of our people since our first day.
The second painting is the attempt of any man "implemented" by taking " power from the action, the ability to implement." It is in this painting we see the division (the line dividing the two parts perfectly in the middle) between the human thinker: the right represented by a series of lines and crosses very geometric and rational, seeking to understand the world through logic and intellect, artist and man: on the left where it appears a figure of classical statuary (the Venus de Milo) turned his back which is the symbol of beauty and pure image that the hand of an artist can guided by his inspiration to create. However, there is a point of contact between the two, depicted in the center of the canvas by a line that literally gets in the statue.
And finally the perfection, the God who is above all, from which runs off a drop that comes down it (the birth) .. generating up to us mortals, "the original image which is neither flesh and blood, is spiritual" (the birth of man is thus the birth of the idea comes from). It 'an image that dwells within us and can develop in two different ways: as an artist who discovers test and the pleasures and pains of life from which he draws inspiration for his works, attempts to "to perpetuate that which is transitory; thinker, that" seeks to know and represent the essence of the world with logic .
"We thinkers try to get closer to God by detaching the world to him. You love him and you get close to recreating his creation. Both are human creations and inadequate; but art is more innocent. "
( Narcissus and Goldmund, Herman Hesse)
